Margaret Dalivalle, Martin Kemp, & Robert B. Simon
Oxford University Press, 2019
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The Salvator Mundi is the first Leonardo painting to be discovered for over a century. This book looks at evidence of Leonardo’s Salvator Mundi in the collections of Charles I and Charles II. It explores the appraisal of works by Leonardo at the Stuart courts, and proposes that works attributed to Leonardo were first encountered and understood in seventeenth-century Britain and would shape the wider evolution of Leonardo as a cultural icon.
Features
Offers the definitive study on the re-discovered Leonardo da Vinci masterpiece, Salvator Mundi, the world’s most expensive painting
Recounts the story of the painting’s modern-day discovery and restoration
Delves into the painting’s dramatic history in the British royal collections of Charles I and Charles II