THE ART LAW PODCAST: Revisiting the Salvator Mundi
The Art Law Podcast is a monthly podcast hosted by Steve Schindler & Katie Wilson-Milne that explores the places where art intersects with and interferes with the law. In this episode, they speak with Robert Simon about his discovery of the Salvator Mundi.
Listen to “Revisiting the Salvator Mundi.”
INTRODUCING ANTHONY BAUS : After the Antique
INTRODUCING ANTHONY BAUS
After the Antique
January 26 – February 22, 2019
Preview, as part of MASTER DRAWINGS NEW YORK
Friday, January 25th, 4-8 pm
Drawings and paintings by the American artist Anthony Baus (b. 1981) will be featured in an exhibition opening on January 26th at Robert Simon Fine Art, 22 East 80th Street, in Manhattan. As the title indicates, the exhibition is intended to introduce the artist’s work to a new audience. The timing of the exhibition, during New York’s Master Drawings week, will permit collectors of both contemporary art and Old Masters to experience Baus’s unique vision, which mines the world of antiquity as source material for contemporary issues, expressed through an astonishing graphic facility derived from intense study of Italian baroque drawing.
The phrase “After the Antique” has two associations. The first is conventional cataloguing terminology that describes a work of art derived or copied from an ancient model or source. The second is purely chronological: “after” in time. Anthony Baus’s work meets both criteria, but his references from the ancient world are never literal; rather they are romantic, meditative, and original. His impressive technique does not reflect the mind of a copyist. The style of Old Master drawings that Baus has embraced is his preferred language of expression, but his content is entirely personal. Baus has described it as “romantically inspired narratives created on scaffolding of ancient architecture, richly imbued with symbolism and mystery.”
For the artist the present exhibition began as a meditation on time. Months spent in Rome drew Baus into study of and contemplation on the Mithraic Mysteries, the cult religion practiced there from the 1st to the 4th centuries A.D. The characters that inform Mithraism provide the starting point for Baus’s rumination on thought and the position of man in the universe, expressed through symbolism both historical and fantastical.
Baus’s works can be savored as intricate compositions of great beauty and finesse. They are also complex and sophisticated allegories on weighty themes. However appreciated or approached, they provide an introduction to a visionary artist of earnest intent and expansive imagination.
Anthony Baus is an alumnus and faculty member of the Grand Central Atelier in Long Island City, New York.
During the exhibition, a group of selected Old Master drawings will be on view concurrently.
A conversation between Robert Simon and Anthony Baus will take place at the gallery
on Thursday, February 7th at 6pm. Space is limited and reservations are required.
The Artist in Conversation - Pamela Talese
PAINTING THE THIRD ROME
A Conversation with Pamela Talese, Robert Simon, and Luigi Ballerini
December 12, 2019
PAMELA TALESE has been painting the urban landscape in New York since 2000, and in 2012, began making annual visits to Rome. THE THIRD ROME: Allegorical Landscapes of the Modern City is the first exhibition in an ongoing project exploring the rioni of Rome outside the “centro storico” — those areas reflecting the dynamic growth and transformation of the city in the twentieth and twenty-first centuries. THE THIRD ROME complements the artist’s work in the outer boroughs of New York City, which treat similar issues, though manifested in disparate visual and cultural environments.
ROBERT SIMON is an art historian, art dealer, and lover of Rome. THE THIRD ROME is the first solo exhibition by a contemporary artist at Robert Simon Fine Art, although one which extends to the present day the tradition born in the Renaissance of using Rome as both subject and inspiration.
LUIGI BALLERINI is Emeritus Professor UCLA, Distinguished poet, translator, food historian, and critic, and author of the essay “The Foro Mussolini and The Marble Boys of Yesteryear” that accompanies the photographs by George Mott's FORO ITALICO (PowerHouse Books 2003).