Robert Simon Fine Art

The Unbroken Line: Old and New Masters Exhibition

Four portraits: Top left is young man with mustache, top right is young man with short bread, bottom left is young man looking left, bottom right is young woman looking down.

The exhibition has been extended until June 8th.

EXHIBITION CATALOGUE AVAILABLE HERE 

 

The Unbroken Line: Old and New Masters
May 11 – June 8, 2018
Hours: Monday – Friday, 11:00am – 5:00pm


Robert Simon Fine Art and Grand Central Atelier present an exhibition of contemporary paintings and drawings alongside old masters works, revealing the unbroken line of fine art into the 21st Century.

Art historian and art dealer Robert Simon will curate a selection of Old Master paintings and drawings paired with new works by New York-based painters, Jacob Collins, Colleen Barry, Anthony Baus, Will St. John, Edward Minoff and Justin Wood, who are all principle instructors at Grand Central Atelier, one of the world’s premier ateliers training artists in the classical tradition of drawing, painting and sculpture. Included are select works by recent graduates Rachel Li, Savannah Tate Cuff and Dale Zinkowski.

These 21st Century atelier artists are carefully attuned to the idea that in order to evince this language with roots in the ancient world, one must first be a humble observer of nature and bear witness to its nuance and sensitivity. When fully realized through years of serious commitment to study, this language possesses great power to communicate the human condition with limitless beauty and endless variation.

 

(Clockwise from top left)
Simon Vouet (Paris 1590-1649) Portrait of a Young Man, oil on canvas, 16 ¾ x 13 ⅝ inches; 
Anthony Baus, Self-Portrait, 2017, ink and wash on paper, 11 x 15 inches;
Colleen Barry, Black Hat, 2018, oil on wood, 12 x 12 inches;
Donato Creti (Cremona 1671 – Bologna 1749) Study of a Young Man, black chalk with white heightening on paper, 16 ½ x 12 inches.
All images are details.

Winter Antiques 2018

A wooden eagle flies in front of a white background

Robert Simon Fine Art is proud to be exhibiting at the 2018 Winter Antiques Show.
JANUARY 19 - 28, 2018
Booth 56
 
Debuting a collaboration between the artist Vera Lutter and Robert Simon Fine Art!
For more information on the artist:
http://veralutter.net/
 
HOURS:
OPEN DAILY : 12 PM–8 PM
SUNDAYS & THURSDAY : 12 PM–6 PM
TUESDAY :  12 PM–4:30 PM
 
SPECIAL EVENTS:
•    OPENING NIGHT PARTY -  January 18, 2018
•    MUSEUM NIGHT PARTY* -  January 19, 2018
      *Please note that an institutional email address is required for registration. 
•    YOUNG COLLECTORS' NIGHT PARTY - January 25, 2018
 
Daily entry tickets available to our clients and colleagues upon request
.

MFA Boston's "Made in the Americas"

The corner of a room with red walls. A secretary of mother of pearl on the left. In the center the sold item hanging on a wall.  the artwork hangs on the wall.

The Museum of Fine Arts, Boston, has opened a superb exhibition “Made in the Americas; The New World Discovers Asia.”  It is a brilliant exploration of the international trade and influence of Asian works of art in the Colonial periods in  both North and South America – a story that could only be told through the decorative arts.

We were pleased to see that one of our alumni is included in the exhibition, an eighteenth-century Peruvian painting in an extraordinary shell encrusted frame, acquired from us by the Hispanic Society of America.  It appears in the center of this view of one corner of the exhibition.

The exhibition is on view until February 15, 2016.

“Made in the Americas” will then travel to Winterthur, where it can be seen from March 26, 2016 until January 8,  2017.

LACMA

Cabrera Casta artwork sold by the gallery

We are pleased to announce the sale of a highly important painting by the Mexican master Miguel Cabrera to the Los Angeles County Museum of Art.

This lost work was one of two canvasses missing from Cabrera’s celebrated series of sixteen casta paintings.  It is undoubtedly the best preserved of the set and the only example still retaining its original scroll format. We are proud to have established its identity and honored to have represented the painting’s owner in securing its acquisition by the museum – a discovery described by the Los Angeles Times as “a major event in the art world.”

On View at the Los Angeles County Museum of Art
from April 10th, 2015
 

Our thanks and congratulations to LACMA, to curator Ilona Katzew, and to Christina Jones Janssen.


The newspaper's cover that features the article. White background, black text, and color painting in the middle.