ART TALKS

OCTOBER ART WEEK ONLINE

October 9 - 31, 2020

We are excited to participate in October Art Week’s online edition.


View our featured works.


Watch the opening event Art and the New Digital Reality, a panel discussion featuring Robert Simon and other colleagues in the Old Masters world.

A chubby infant rests on his mother's lap as she breastfeeds him

Hugues Merle
(Paris, 1823 – 1881)

A Young Mother (Un Jeune Mère)

Signed and dated, lower left: Hugues Merle / 1865

Oil on canvas
39 ½ x 32 inches (103 x 81.3 cm)

INTRODUCING ANTHONY BAUS : After the Antique

A sepia toned landscape with ruins, with two figures moving left to right.

INTRODUCING ANTHONY BAUS
After the Antique 

January 26 – February 22, 2019

Preview, as part of MASTER DRAWINGS NEW YORK
Friday, January 25th, 4-8 pm

 

Drawings and paintings by the American artist Anthony Baus (b. 1981) will be featured in an exhibition opening on January 26th at Robert Simon Fine Art, 22 East 80th Street, in Manhattan.  As the title indicates, the exhibition is intended to introduce the artist’s work to a new audience.  The timing of the exhibition, during New York’s Master Drawings week, will permit collectors of both contemporary art and Old Masters to experience Baus’s unique vision, which mines the world of antiquity as source material for contemporary issues, expressed through an astonishing graphic facility derived from intense study of Italian baroque drawing.

The phrase “After the Antique” has two associations.  The first is conventional cataloguing terminology that describes a work of art derived or copied from an ancient model or source.  The second is purely chronological: “after” in time.  Anthony Baus’s work meets both criteria, but his references from the ancient world are never literal; rather they are romantic, meditative, and original.  His impressive technique does not reflect the mind of a copyist.  The style of Old Master drawings that Baus has embraced is his preferred language of expression, but his content is entirely personal.  Baus has described it as “romantically inspired narratives created on scaffolding of ancient architecture, richly imbued with symbolism and mystery.”

For the artist the present exhibition began as a meditation on time.  Months spent in Rome drew Baus into study of and contemplation on the Mithraic Mysteries, the cult religion practiced there from the 1st to the 4th centuries A.D.  The characters that inform Mithraism provide the starting point for Baus’s rumination on thought and the position of man in the universe, expressed through symbolism both historical and fantastical.

Baus’s works can be savored as intricate compositions of great beauty and finesse. They are also complex and sophisticated allegories on weighty themes.  However appreciated or approached, they provide an introduction to a visionary artist of earnest intent and expansive imagination.

Anthony Baus is an alumnus and faculty member of the Grand Central Atelier in Long Island City, New York.

During the exhibition, a group of selected Old Master drawings will be on view concurrently.

A conversation between Robert Simon and Anthony Baus will take place at the gallery
on Thursday, February 7th at 6pm.  Space is limited and reservations are required.

 

A pack of hyenas roams the  ruins of the Mithraic Mysteries.

The Artist in Conversation - Pamela Talese

PAINTING THE THIRD ROME

A Conversation with Pamela Talese, Robert Simon, and Luigi Ballerini
December 12, 2019

PAMELA TALESE has been painting the urban landscape in New York since 2000, and in 2012, began making annual visits to Rome. THE THIRD ROME: Allegorical Landscapes of the Modern City is the first exhibition in an ongoing project exploring the rioni of Rome outside the “centro storico” — those areas reflecting the dynamic growth and transformation of the city in the twentieth and twenty-first centuries. THE THIRD ROME complements the artist’s work in the outer boroughs of New York City, which treat similar issues, though manifested in disparate visual and cultural environments.

ROBERT SIMON is an art historian, art dealer, and lover of Rome. THE THIRD ROME is the first solo exhibition by a contemporary artist at Robert Simon Fine Art, although one which extends to the present day the tradition born in the Renaissance of using Rome as both subject and inspiration.

LUIGI BALLERINI is Emeritus Professor UCLA, Distinguished poet, translator, food historian, and critic, and author of the essay “The Foro Mussolini and The Marble Boys of Yesteryear” that accompanies the photographs by George Mott's FORO ITALICO (PowerHouse Books 2003).